Tuesday, June 10, 2008

so rock me mama like a wagon wheel
rock me mama any way you feel
hey mama rock me
rock me mama like the wind and the rain
rock me mama like a southbound train
hey mama rock me

running from the cold up in new england
i was born to be a fiddler in an old time string band
my baby plays the guitar
i pick the banjo now

so rock me mama like a wagon wheel
rock me mama any way you feel
hey mama rock me
rock me mama like the wind and the rain
rock me mama like a southbound train
hey mama rock me



i'm so through. i've had to deal with blow after blow. i don't fucking know what to do.

Friday, June 6, 2008

Another reason why I don't want to grow old is that the enormous task of knowing a lover becomes even harder to accomplish. He will have more blank spots in his life, more mysterious scars, more "friends." We can only truly love somebody when we understand them, or maybe understanding is love. I'm not certain that I'll be able to fool myself later in my life. 

Anyways I'm watching Sex and the City and wishing for serenity. I can't write for the life of me. What happened to summers in parks, smiling through the sunshine? I want mountains to stream in through my pupils.

Saturday, May 24, 2008

You ask me, why are you so sad? On the phone, and I can tell you don't want to listen. I hang up wordlessly before you can but my sobs stream so loudly that I know you can still hear them. The short answer is that when it is silent, and sunny outside, and four walls surround me, when I am alone and disconnected, a great weight appears upon my shoulders, setting forth apparitions before my eyes. Transgressions, inadequacies, what you call my freak-outs, my mother crying in her sleep, a figure on its knees, pound the outside of my iris until I let them in. So I don't stay inside. I take buses and ride the routes for hours, hoping to feel your love again through the purple sunsets.

Anyways tomorrow will bring more hope. I can't be alone. And not being alone doesn't mean having Joni Mitchell in the background. It means having your face to hold in my hands. But not even really that. I don't know. I have no goddamn idea.

Tuesday, May 6, 2008

The guy that I'm seeing has reacted to the news that I actually updated with an "Ugh. Everything you write is just a warped version of our relationship." I guess, first of all, this is a clear case of "You're so vain/you probably think this song is about you."

Secondly, I just want to clarify that everything I write is fiction. As in no, I did not spike anybody's coffee with acid. While I have definitely felt every emotion, mood and tone I describe, I believe that everyone in the world has along with me. The events that are associated with them are fictitious, although some really are based in some remote sense off of real-life occurrences. A few are more blunt: like the two hippie lesbian girls at the restaurant. And the red car.

I hope to start writing more because I have the wonderful opportunity to join the creative writing department at Berkeley, meaning that I need to write or fail basically.

Monday, May 5, 2008

I wish you could know how good holding you feels. In any darkness when I bury my face into your back I'm really rooting myself into your body so that you can never go away even if you tried. I'm planting an oak tree on your torso and building myself a nest in its branches so that I can organically live with you.

And I feel foolish writing about how much I love you. Sometimes I get so angry with you that I scream and push and in those moments your pain flows into my skin and inflames my mouth even more. You shouldn't let me hurt you. You should feel my love every millisecond that you breathe. Yet while I am writing you are laughing somewhere else with someone else and your thoughts are galaxies away from my figure, clinging to my blankets for any warmth, pretending you were here to fall asleep and wake up to. That is why I feel foolish.

It's still part of the little bundle of secrets that I store behind my eyes, so deep that I can't even see them. But they're there and they plunge out like waterfalls when I'm driving away from you. They spill out onto the roads and get trampled by passing deer. I see the deer, and I wonder how you'd react, your eyes wide, pointing. Shh, stop, you'd say. And we'd sit in the darkness inside our metal capsule, sipping our tea and thinking of the pillows that wait miles ahead. And when the deer are finished devouring I start my engine and you fall asleep next to me and I stop again and kiss you on the nose.

Tuesday, March 4, 2008

This is a story about coping.

She was blond. She rode a bike to your apartment every other day. She wore Ray-Bans. You held me against your chest at night. You bought me coffee. You screamed at me when I begged you not to leave me to see her. I was the one who sat naked in my bed, term papers unwritten, shaking water out of my eyes.

My therapist blamed me, too. You weren't being malicious, I just had a complex. I couldn't understand that somebody could love me as much as I loved them. What, she would ask me, folded hands sturdy as mountains on her lap, made me think that I had a greater capacity for love than other people, particularly men?

I'd tell her: stories of unfaithful men. Everyone had one. Do you? I asked her, looking through her spectacles, narrowing my pupils into laser beams to pierce through the thick lenses. She pulled the blinds over her eyes and I smiled.

And, other things, in this particular situation. When we shared a bed you always faced away and I would cling to you but I felt like a barnacle on a rock. I could sense your indifference. Your heart never sped up. You looked and talked about other women. When mixed with my daddy issues, my cheating ex-boyfriend, and my decrepit sense of self-worth, it all made sense. It was a simple case of input and output.

This blondie though, she was audacious. She was a real punk. When she called, you RAN for the phone. You never talked to her in the same room as me. During your conversation I got dressed, goosebumps littering my skin. I knew that when you came back, you wouldn't touch me unless I slowly nudged my way under your palm. You would light your pipe and stretch out in bed like a man who had just fucked the sultriest whore. You were a real asshole.

My therapist, in her velvet throne, blamed it on my faulty wiring. My brain had been molded into a spastic, tangled array of nerves over the course of my ugly-duckling years, when my prepubescent and adolescent crushes made me too anxious to eat. As a consequence I was always too skinny, with perfectly circular glasses and braces that always peeked out from under my lips. I loved running my hands over my ribs and feeling soft waves of skin curling over bone. I was satisfied with my jagged silhouette punctuating by my ribs. I wanted my first man to be able to enclose my torso with one hand. It took me until I was twenty to find that a body always splayed out in fleshy directions when lying in a bed with another person who smells like all the beauty you want to engulf with your fingertips, lips, mouth, pupils, ears. I hated when you pinched my skin. I hated that my skin didn't adhere to my ribs like glue anymore.

Blondie was a skinny bitch, too. When you first met her, she was heavier, with a less fashionable haircut that was always tangled up. I don't know what you did with her, but the few times that I had been there, your laugh made me want to vomit into her perfect shiny French bob. Why didn't you just fuck her? Well, you said, its not like that. She's my friend. She's my friend. She's my friend, your arms gyrating around the fulcrum of your torso frantically like a windmill and your feet moving out the door.

My therapist listened all right, she listened while I launched a linguistic crusade against men with gorgeous female best friends. I called you every name in the book, and then I came home to you napping, took off my jeans, and slipped under your arms. She wrote prescriptions for pills that I filled, and sold. I used the money to buy us sushi once a week.

Still, it wasn't enough for you. One night you packed up your things and let loose on your way to the front door. Bitch. Trust me, bitch. I could not believe you were asking me to ignore twenty years of insecurities that were so deeply tangled around and trust you. You didn't want me around because I cried too much. I asked, why did there have to be a blond paragon of beauty? Why weren't my flat nose, gangly arms and chewed fingernails enough? I wanted to punch you. I wanted to rip and tear your image until you finally got it. I wanted to stuff your mouth with every single pill I hid in my purse and pawned to teenagers.

One time, when you were standing putting on your jacket and I sat Indian style on the bed, convulsing with rage, she walked in. I pulled the blankets to my nose and moaned. You scoffed. She took off her hat, daintily slipped the purse off her arm, and sat on the chair facing the door. You left. I had no clothes on my body, so I drowned in those blankets until the only thing she could watch was my hair spilling over the dusty pillows, heavings up and down with my sobs.

Monday, March 3, 2008

You're right I write about acid a lot. 

All I do, besides write about acid, is wait and wait and wait and wait and wait and wait and wait and wait and wait and wait and wait and it never comes